| Courses | Professor/Course Description |
|---|---|
| Korean Cinema Plus: Remakes, Revenge, Rebellion | Prof. Michael A. Unger |
| 09:00-12:30 | Embark on a captivatingcinematic journey through the rich tapestry of Korean cinema in "KoreanCinema Plus: Remakes, Revenge, Rebellion." This course delves into thedynamic interplay of remakes, revenge narratives, and themes of rebellion inKorean cinema, showcasing iconic films that span over 104 years of the nation'scinematic evolution. Through a combination of lectures, immersive filmscreenings, and thought-provoking discussions, students will gain insights intothe creative and commercial rebirth of Korean cinema. Immerse yourself in theart of storytelling, visual aesthetics, and cultural representation as weexplore the remakes, revenge tales, and rebellious narratives that have definedKorean cinema's contribution to global film culture. Open your eyes to thecreativity, innovation, and socio-political resonance that have shaped thecinematic landscape of Korea. |
| Korean Popular Culture (3crs) | Prof. Chang Rae Kim |
| 09:00-12:30 |
This class is designed to encourage the student to develop the skills of analysis, critical reading, and self-expression. It aims to introduce students to
cultivate an appreciation of Korean film, TV drama and music as a complex form of popular culture. The class involves film/video screening, class discussions,
reports, in-class analysis exercises and written assignments. Various forms of Korean popular culture, with a special emphasis on films, will be selected to
illustrate diverse styles and approaches to film/TV/music-making. The class will also look more deeply at the nature of popular culture itself, its social meanings and the intertextual relationship of individual text and cultural industries with the audience. |
| Korean Dystopia: From Parasite to Squid Game (3crs) | Prof. Jason Bechervaise |
| 14:30-18:00 | This course will offer a guided introduction to Korea’s most resilient genres of the human imagination: dystopian content. Like survivors of a zombie apocalypse huddled around a campfire, we will turn to cinema and dramas to debate some of the big questions about the future of Korea’s socio-political issues, technology, and capitalism. This course is designed as a critical speaking seminar which includes lectures, film viewings with portions of the class devoted to oral presentations and discussions. We will track the changing nature of Korean dystopian content: from movies like Train to Busan and Parasite to serial dramas like Hellbound and Squid Game. By the end of course, students will have a firm grasp of the history of the genre and will be able to draw on this knowledge to effectively debate issues related to Korean society, popular culture, geo-political history, and Hallyu (Korean Wave). |
| Comparative Studies on World Cinema (3crs) |
Prof. Tim Bergfelder Prof. Byran Konefsky |
| 14:30-18:00 |
This course offers a comparative introduction into three different film cultures, European cinema, American cinema and Mainland Chinese cinema. The course will
provide a systematic historical and thematic overview of the main developments and characteristics of the three film cultures. The course will consist of three
blocks of three lectures each, accompanied by class discussion and the screening of relevant films. At the end of the module, we will actively seek to highlight the differences and interconnections between the three film cultures. One of our aims is to show how there have always been exchanges and dialogues between different film cultures, and as an example, we will see how the genre of the “Western” has been adapted in different contexts. |

